The Night My Number Came Up - Michael Redgrave (1955) - View towards Lantau Island

There are a couple of brief shots that show the plane both (supposedly) approaching and departing from the airport over a stretch of sea with some islands in the background. In actual fact these very brief shots were filmed most likely from a boat that was positioned somewhere off the western coast of Hong Kong Island.

The shot with the junk below shows the approach shot, with the plane flying 'towards' the airport. You can see Castle Peak on the far right in the distance poking up between the gap that is Penny's Bay i.e. we are looking towards Lantau Island from the south east - definitely not the approach to a landing at Kai Tak by any stretch of the imagination.

The second image shows the plane 'leaving' the airport, commencing its journey to Japan, and shows roughly the same area as the first image but by now the camera has moved to the north slightly and now Castle Peak can be seen distant centre left. The light coloured patch further left is the outline of Kau Yi Chau island. 

The reason I think this was shot from a boat is because there is no land in this vicinity (with this angle of view) on which the camera could be set. This also explains why the view has shifted somewhat between the two takes due to the boat drifting.

Incidentally, there is another over water shot of the plane flying across the harbour with the Kowloon hills in the distance. This most definitely could be the approach to Kai Tak but in the film, as you will see from the next post, the plane approaches the number 13 runway from the west which means it would have had to fly past the airport and then do a 180 degree turn to line up for that approach.

The Night My Number Came Up - Michael Redgrave (1955) - Kai Tak Airport - Part 2

A few of the buildings at the old Kai Tak can be seen on film including the old control tower (Gwulo.com has a colour picture of it supposedly from the same year which makes me think this film was most likely shot earlier) and at least one of the buildings that formed RAF Kai Tak.

Control Tower

If you look closely at the image below you can see two buildings in the far distance and I believe that the one centre left is the RAF Officer's Mess that now hosts the visual arts department of the Baptist University. There appears to be another similar building lower on to the left of that one. Given the angle it is also possible that the lower building is the still-existing RAF HQ Building which now houses a family crisis support centre. But it could also easily be a building that has since been demolished to make way for various housing estates.

What about the white building in the foreground? It's used as the terminal building in the film and I wonder if it was the so-called Sea Wall terminal building that was in use at the time the film was made. It could easily be one of the other older (and unused) buildings that stood along the sea front next to the 07/25 runway. If there are any Kai Tak aficionados reading this then please feel free to add any corrections.

Note the runway map in the background of this last picture. This is a true reflection of the layout at the time and a more detailed version can be seen here. Make a note of runway 13/31 (running NW/SE) because it will crop up in a later post.

The Night My Number Came Up - Michael Redgrave (1955) - Kai Tak Airport - Part 1

I first became aware of this film thanks to an article in the SCMP written by Adam Nebbs for his travel column. You can still see the piece here, and it explains the film better than I could - plus it has a link to the digitally restored film clip that shows the plane landing at the old airport. I did manage to find a copy but it was an inferior quality version that looks to have been recorded from the TCM channel and then transferred to DVD. Never mind, the quality is good enough for the purposes of identifying most of the locations.

It seems that 1955 was a busy year for foreign film makers in Hong Kong because this is now the fourth film I have been made aware of that was shot around that time, the others being Soldier of Fortune (actually shot at the tail-end of 1954), Flight to Hong Kong and Love is a Many-Splendored Thing.

Much of the Hong Kong location shots are actually just the old airport, however, it was filmed from various angles and I have decided to split those ones into separate parts starting with this view from the north west. The runways occupied the San Po Kong area (that was eventually turned into a factory estate). The flat area in the lower part of the image with a curved lane running alongside it shows what is now Morse park and Fung Mo St.

Harry's Hong Kong - David Soul (1987) - Ladder Street, Sheung Wan

In general the quality of the available online versions of Harry's Hong Kong is fairly low and has prevented me from really getting into the details of various street-level locations, but here is one that many people should recognise. It's the section of Hollywood Road where Ladder Street crosses on its way up to the mid-levels. You can't see the Man Mo Temple, but the corner building antique emporium (Yue Po Chai Curios Store) doesn't appear to have changed very much over the past 30+ years. The building it is in is the Tai Hing Building. This was the replacement to the older tenement building that featured (as an exterior only) as the Nam Kwok Hotel in The World of Suzie Wong. That older building was replaced by this one in 1967, so this "newer" one is already more than 50 years old. It's sobering to know that Nancy Kwan, who celebrated her 21st birthday whilst filming that movie, turned 80 this year!

Anyway, I think that's about the lot from Harry's Hong Kong. Time for another quick break before tackling the next movie.

Harry's Hong Kong - David Soul (1987) - The Peak, Hong Kong

Harry goes up to the peak to meet his journalist girlfriend, so we get some shots of the tram before the pair head over to the Lion's Club Pavilion.

Harry's Hong Kong - David Soul (1987) - Tsim Sha Tsui Waterfront, Kowloon

Does anyone remember the time when there was lots of artwork along the waterfront at Tsim Sha Tsui? I can remember when it was empty (I think) during my first few trips in the mid to late 90's, and then  of course just before I moved over full-time it was converted into the "Avenue of Stars". It appears I was too late though to see some of the larger Moore-esque art installations that were set up along the waterfront. I wonder what happened to them?

Harry's Hong Kong - David Soul (1987) - Aberdeen Harbour, Aberdeen

An area that pops up a couple of times is the Shum Wan section of Aberdeen Harbour where Harry goes for a meetup with his girlfriend (of sorts) as well as where part of the plot reveal takes place at the end of the movie. We see the restaurant pontoon area at the end of Shum Wan Drive (last see a few weeks back in Godzilla V Destroyah) as well as the Jumbo restaurant.

The buildings at the back are the Aberdeen Marina Club

Harry's Hong Kong - David Soul (1987) - Ching Chung Koon, Tuen Mun

Harry is waylaid by the local Triad gang because their boss (played by James Hong) believes he was party to the theft of their money by his disappeared buddy. The boss gives Harry a time limit within which he needs to return the money. This meeting between the two occurs at Ching Chung Koon in Tuen Mun.

Harry's Hong Kong - David Soul (1987) - Elm Tree Towers, Tai Hang

Harry's flat is located in a development called Elm Tree Towers on Chun Fai Road in Tai Hang. It looks as though the scenes filmed inside the flat were also done on location because the balcony shape matches one of the building's penthouse balconies. 

Harry's Hong Kong - David Soul (1987) - Tin Hau Temple, Repulse Bay

One of Harry's clients has hired him to find her missing husband and he meets up with her in Repulse Bay in front of the Tin Hau temple, which is masquerading as a cafe.

Harry's Hong Kong - David Soul (1987) - The Peninsula Hotel, Tsim Sha Tsui

The Peninsula Hotel features a fair few times in this show because it's where the main character has his office. It looks as though the room used as a stand in for harry's office is one of the top floor suites in the east or west wing of the hotel. You can tell this by the window shape in the background because only the top floor rooms facing the harbour have he same arched window shape (you may remember that Ryan O Neal and Candice Bergen also filmed in one of these suites for Oliver's Story back in 1978). I guess for a 1980s Aaron Spelling production, hiring one of these huge suites for a day's filming wouldn't have been considered extortionate, but was this also the Marco Polo Suite?