6 Underground - Ryan Reynolds (2019) - Wanchai Interchange, Hong Kong

Here's another shot for 6 Underground that I forgot about (the shots are edited into the HK sequence a little too fast to notice sometimes). It's the Wanchai Interchange at the norther end of the Canal Road Flyover.

6 Underground - Ryan Reynolds (2019) - Ki Lung Street, Sham Shui Po

This next establishing shot that 6 Underground uses for its "Hong Kong" scenes does actually appear to be new to me. It certainly didn't crop up in Transformers: Age of Extinction although I believe it was still probably shot at that time because that film did have a couple of scenes on adjacent roads.

Anyway, it is a brief shot along Ki Lung Street looking west. The shiny building in the distance is actually the Dragon Centre on Yen Chow Street. This was basically shot on the block between Shek Kip Mei and Wong Chuk Streets. I may have noted this fact during my Transformers posts but all the overhanging signage here was removed quite some time ago during a Govt safety drive.

6 Underground - Ryan Reynolds (2019) - Tung Choi Street, Mongkok

How many times have we seen this angle of Tung Choi Street before? Quite a number including  Vengeance, Strangers (where it was used for the view out of Anthony Wong's apartment window) and of course, it featured as a brief shot for Transformers: Age of Extinction.

So it looks like my theory of unused (and used) footage from the Transformers shoot was basically correct as this view of Tung Choi Street from the Mongkok Road pedestrian walkway is used again for Bay's 6 Underground. The same location appears a couple of times in this movie both before and after the main set piece. I love these colours, the place was a bit drab when I was there and took a photo last year (2019)

6 Underground - Ryan Reynolds (2019) - Stonecutter's Bridge, Kowloon

Next up is another film from Michael Bay. You may recall that Bay was in Hong Kong circa 2014 to film scenes for Transformers: Age of Extinction. The filming caused a fair bit of controversy thanks to his merging a national park in China with the Hong Kong Island geography (which led to complaints from the Chinese park authorities) and also due to the extortion incidents that occurred in two major filming locations (Quarry Bay and Sham Shui Po).

The events here seem to have put Bay off from returning (and who could blame him?) because the Hong Kong scenes used in this film are a combination of brief establishing shots and the main set (which was actually in Italy) having a variety of locations, including Hong Kong, inserted into the background.

It looks as though Bay has basically reused footage he shot for Transformers and included some small shots that maybe were not originally included in that film but kept in store for such a purpose. My theory appears to be correct when you compare these opening HK shots for 6 Underground with a similar scene in Transformers: Age of Extinction. The opening shot is a view along the Stonecutter's Bridge that links Kowloon and Stonecutter Island with Tsing Yi Island.

Lupin the 3rd - Shun Oguri (2014) - Central Police Station, Hollywood Road

The second and last post of our brief coverage of Lupin the 3rd as the Interpol Police Inspector (played by Tadanobu Asano) calls a meeting with the Hong Kong Police in order to plan his raid on The Works' headquarters.

It's just a very brief shot of the stone facade of the former Police HQ on Hollywood Road before switching to an interior filmed, I assume, somewhere else although I have yet to visit here to confirm one way or another. Given that the last post was most definitely stock footage, I'm going to assume this shot was as well. I doubt there was any proper filming taking place here for this movie.

Lupin the 3rd - Shun Oguri (2014) - Hong Kong Island

Next up, as my supply of films steadily drips dry, is a 2014 Japanese film based on a popular anime. Lupin the 3rd. It stars Shun Oguri as a highly skilled thief in the employ of a sort of Robin Hood type organisation called "The Works" that steals from the rich to...erm...keep stuff for themselves. Like several previous Japanese productions I have looked at, this one makes it onto the blog courtesy of just a couple of brief glimpses of Hong Kong as some of the action is supposed to take place here.

First up is the main establishing shot for the supposedly HK-based action. The organisation, headed by Australian actor, Nick Tate (I'm old enough to remember him from Space 1999 back in the 70s), has its HQ in a rather spectacular looking mansion somewhere in Hong Kong. Suffice to say no such place exists here, although the film makers have tried to use their CGI wizardry to help with the make believe.

Anyway, this opening shot is from the western side of the Peak area looking east. Suffice to say this is more than likely just stock footage because the trained eye can spot that fact that CCB Tower (that's the China Construction Bank's HK HQ) is missing from the cityscape. This is the building that replaced the Ritz Carlton and was completed in 2012. In the lower image, there is still a gap where one of those buildings should be so this shot was taken sometime between 2008 when the hotel closed and 2012 when CCB Tower opened.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Nanking Street, Yau Ma Tei

To round of this film, there is a post-credits sequence when one of the characters if revealed to have survived the film's denouement. The sequence starts off with a blurry shot of Woosung Street as the character steps into frame and comes into focus. Squint a bit and you can just about make out the vague shape of a building in the background that stands on the NE corner of the junction of Woosung and Nanking Streets. Actually, we were at that junction just a few months ago with Already Tomorrow in Hong Kong.

The final shot of the film was taken along the aforementioned Nanking Street (turn right at the junction I just mentioned) and it's a view from just beyond the junction with Parkes Street looking back to the pedestrianised section of Nanking Street between Parkes and Woosung Streets.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Queensway, Central

Another establishing shot from this film and yet another quick scene filmed from one of the many walkways that criss-cross the roads around Central leading me to believe that this film, too, was most likely shot without official permits (well, can't blame them considering the low budget).

This shot was taken from the walkway that connects the Lippo Centre with the High Court building on the south side of Queensway.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Harcourt Road, Central

We had another post from Harcourt Road last week, this one is a night time shot taken a  little further to the west which means you can see the pedestrian bridge from which the earlier post's image was taken from. This one is most likely taken from the bridge that connects the Admiralty Centre with the new Central Government Offices.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Lung Wo Road, Central

Before heading into the office, the two HK-based characters do what all car driving Hong Kongers do and stop their car on a double yellow line to get out. The interesting fact about this location here is that it was once where Queen's Pier stood at the waterfront and now is a main road called Lung Wo Road.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Garden Road Flyover, Central

We were here just a few months ago, except that time we were following a couple of an epic walk from SoHo to Lan Kwai Fong via Katmandu (or at least that's what it felt like). This time it's just a quick scene as a car drives down Garden Road down towards Queensway.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Old Peak Road, The Peak

The two Hong Kong based characters are out for a run and they are filmed at the top of Old Peak Road not too far from the Barker Road Tram Stop. This bend in the road is less than 200 metres down the road from there. The triangular roofed building the guy is looking at is the Tavistock 2 and Aigburth towers on Tregunter Path.

Blood, Sand and Gold - Aaron Costa Ganis (2017) - Austin Road, Kowloon

Another incidental shot used to give some HK ambience to the following scenes. This one is a quick shot along the western side of Austin Road looking towards Nathan Road. The road on the left is Parkes Street with the Hong Kong School of Commerce just visible. In the distance you can see the art deco structure of the old shophouse that sits at 190 Nathan Road with its Austin Road-side balconies (I have pictures of it here and here).